A freshly coined acronym emerged several months following the onset of Israel’s bombardment of Gaza. Labeled WCNSF, it means “Wounded child, no surviving family”. This term is unique to Gaza, according to medical experts including child health specialists. Typically, it is unusual for physicians to attend to a young patient who has been bereaved of their complete family. Yet, there has been nothing “normal” regarding the devastating conflict in Gaza, where complete genealogies have been eradicated and the number of children who have lost limbs is greater than that of any other place in the world. No sense of normalcy in many doctors coming back from a sea of ruins with reports of children being intentionally shot at.
The Gaza Strip continues to be hell on earth. Critical healthcare resources are not getting in those in need, and groups like Amnesty International have stated that atrocities are ongoing. Officials disputes these claims, just as it denies all charges it is charged with. Yet as traumatised orphans are now suffering from the cold in temporary shelters, there is a piece of uplifting information: nothing is going to stop the Eurovision song contest from advancing its stated mission of “unity and artistic sharing.” The contest will continue to offer a prestigious stage for Israel, despite the fact that at least four European countries have now boycotted in dissent. Since this, it seems, is what international harmony manifests as.
The contest, notably banned Russia from participating in 2022 due to the “serious conflict in Ukraine”. But the crisis in Gaza seems completely different.
Overlook the circumstance that Israel was alleged to have used irregular participation methods last year in what appears to have been an effort to manipulate Eurovision. Set aside the news that a young child was reportedly killed in Gaza on a recent Sunday. Neglect the data that settler violence and systematic expulsions in the West Bank have escalated. Overlook the situation that global media are still denied independent reporting in Gaza. None of this, evidently, should be seen as a barrier of Eurovision’s self-proclaimed spirit of unity.
The contest reaches its seventieth anniversary next year – nearly twice the projected longevity of an individual in Gaza at present. The show may go on, but it will find it impossible to reclaim the camp joy it once represented. An institution that initially championed togetherness has devolved into a blatant mechanism to sanitize military aggression.
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